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Certain Nikon digital cameras such as the Nikon 1 V1 digital camera utilize a dual shutter system, allowing you to choose from Mechanic, Electronic or Electronic HI shutters depending upon your shooting situation. The Electronic Shutter is silent and is ideal for use where camera sounds are undesirable. The Electronic HI Shutter's default setting captures images at a rate of 10 fps. It does support 30 and 60 fps frame rates. Face detection is disabled when using the Electronic HI Shutter.
This scene mode preserves the colors seen in the weak natural light that is visible before sunrise or after sunset. It is suggested a tripod be used when shooting in this scene mode. Digital Video Disc. Most commonly used for movies and video data, its high capacity—4.
Film that features embedded information that allows the camera to automatically set the film's speed. Refers to Nikon cameras that feature a 1. The FX sensor, measuring The DX sensor is smaller, measuring The DX sensor makes possible the production of lighter, smaller cameras, but because it covers a smaller portion of the image projected by the lens, a 1.
This means, for example, a 24mm lens on a DX sensor camera will provide an approximate 36mm view. Photographers use "dynamic range" for the luminance range of a scene being photographed, or the limits of luminance range that a given digital camera or film can capture.
The dynamic range of sensors used in digital photography is many times less than that of the human eye and generally not as wide as that of chemical photographic media.
Easy Panorama is a scene mode available on select Nikon digital cameras that makes it very easy to take a degree or degree panorama simply by panning the camera during exposure. When the Compass display is set to ON, it is displayed on the shooting screen. Although the E-Compass can be utilized for general use, it should not be the only GPS device that you rely on when hiking in the wilderness, boating, driving, flying, mountain climbing or any other specialized application that requires stringent positioning.
An optical glass developed by Nikon that is used with normal optical glass in telephoto lenses to obtain optimum correction of chromatic aberrations.
The actual numbers of pixels the camera's sensor uses to make the image. The number of effective pixels is often slightly smaller than the total number of pixels, as some pixels are not used in the actual making of the image. An electromagnetic diaphragm mechanism in the lens barrel provides highly accurate electronic diaphragm or aperture blade control when using auto exposure during continuous shooting.
Encapsulated PostScript. A graphic file format that allows the exchange of PostScript graphic files between application programs. Exposure Value. A number that represents available combinations of shutter speed and aperture offering the same exposure effect when scene brightness remains the same.
An exabyte is a unit of information equal to 1, petabytes or approximately 1,,,,,, bytes. One such option is Exchange Messages, which allows you to add voice messages to your images. You can even add responses to initial voice messages.
Exchangeable image file. The file format used by most digital cameras. Light that exists naturally at the scene. Also known as available light, it's often taken to mean only daylight, but many photographers consider it any light or light source that happens to be at the scene. The exit pupil is the bright circle that can be seen in the center of each eyepiece when you hold the binoculars about 12 inches away from your eyes with the objective lenses pointed toward a bright light.
The larger the diameter is, the brighter the viewfield is, which is an important consideration when using binoculars in dark situations and for astronomical observation. EXPEED 4 is engineered to maximize performance speed, contributing to quicker response time, faster memory card access and data transfers.
EXPEED 4 has evolved with the development of new Nikon technologies as well as the improvement of existing technologies. Nikon will continue to improve upon its EXPEED image processing systems to provide photographers with maximum camera performance and the highest quality images possible.
EXPEED 5 is engineered to maximize performance speed, contributing to quicker response time, faster memory card access and data transfers. EXPEED 5 has evolved with the development of new Nikon technologies as well as the improvement of existing technologies. EXPEED C2 continues to expand the possibilities of photography with improved levels of high image quality, fine detail and processing speed.
The process of transferring data from one computer, file format, program or device to another. The total amount of light falling on the film or image sensor. Most often measured in the amount of time the light is allowed to reach the sensor, as in "a one-second exposure. Often used to produce special creative effects or to meet the scene requirements. A display showing the amount by which a photograph recorded at the current aperture and shutter speed will deviate from the optimal exposure selected by the camera.
Also known as Extension Tubes. An Extension Ring is a device placed between the lens and camera body to extend the lens-to-film or imaging sensor distance for closer focusing. Available in various sizes, extension rings can be used singly or in combination to vary the reproduction ratio. Nikon cameras using these support them in Manual focus mode only and they are considered non-CPU lens attachments. A flash unit that operates off the camera. It can be connected to the camera by a cable or fired wirelessly.
The outer ring around the eyepiece that provides the proper eyepoint in relation to the exit pupil. Attaches to the viewfinder eyepiece for eyesight adjustment. Some cameras have this adjustment built-in.
Eyepiece Lens ocular is the lens closest to the eye and magnifies the image formed by the objective lens. Various techniques have been integrated into the eyepiece to meet recently rising demand for binoculars with long eye relief and wide viewfield. Attaches to the camera's viewfinder eyepiece to magnify the image for easier manual focusing. Especially useful for manual focusing on subjects with fine detail.
A built-in device that prevents light from entering the camera's viewfinder eyepiece and adversely affecting the automatic exposure meter reading. Useful for unattended shooting and self-timer-operation.
The farthest point on the optical axis where the entire image inside the viewfinder can be seen. Eye relief is the distance from the outer surface of the eyepiece lens to the position where the exit pupil is formed eyepoint.
Looking through binoculars from the eyepoint, you can obtain the whole field of view without vignetting. Slang term, often used by professional photographers, for a fast lens with large maximum apertures. Because such a lens will allow more light to reach the film or image sensor, it will allow the use of faster shutter speeds. Record silent fast-motion footage that plays back at about four times normal speed. Playback is one quarter the recording time.
A button on select Nikon digital cameras that gives you acces to select features. The lateral measurement of the area that can be seen at yards.
Calculated by multiplying the real angle of view by A computer document; also, a collection of information, such as data, images or text that can be saved on a disk or a hard drive. A technique that uses flash illumination as a supplement to ambient light.
Useful when photographing subjects that are backlit with very high-contrast lighting or in shadow. A plastic or glass lens that fits in front of the camera lens and is used to manipulate or affect the final image. Placed between a filter and the lens when attachment size differs.
A protocol for transferring data to and from digital devices at high speed, often up to megabytes per second. This scene mode uses slow shutter speeds to capture the exploding bursts of fireworks.
Firmware is a read only set of instructions that is embedded in a hardware device to either add or improve function. Sometimes there are two parts to a Nikon firmware update labeled A or B.
Some updates will perform either A or B, and some will perform A and B, only one at a time. Some others still will perform both A and B at the same time. Please read the instructions carefully as firmware updates are permanent and cannot be 'undone' outside of the service department. Newer firmware versions will overwrite older versions and will also include all previous update changes. A first for Nikon flash units, the latest firmware for specific Nikon Speedlights can be downloaded from Nikon's website to a memory card while the Speedlight is mounted on certain Nikon D-SLRs.
A lens that has a picture angle of approximately degrees or more. A Special Effect that is available on select Nikon digital cameras, which produces an image that looks as if it was taken with a fisheye lens. The file size will be smaller than one with a variable bit rate. Because of the smaller size obtainable with a fixed bit rate, it is better for uses of streaming content over the internet. Refers to a lens in which the focus is fixed at the time of manufacture and is not adjustable.
These lenses are most often used in single-use cameras. They are also found in phone cameras and webcams. The soft effect visible in a picture resulting from stray light passing through the lens that is not focused to form the primary image. Flare can be controlled by using optical coating, light baffles, low reflection surfaces or a lens hood. An electronic unit that provides a relatively brief burst of light.
A type of camera memory card that can retain data after the system has been turned off. Also known as a flash memory card or media card. Nikon Speedlights provide improved color accuracy in flash photography thanks to flash color information communication.
In Auto White Balance mode, the master Speedlight—the unit attached to the Nikon D-SLR, transmits information to the camera about the color temperature of the light that it is emitting. The information is used by the camera to determine a white balance setting that best matches the color temperature of the flash to the color temperature of the scene's ambient light, thus allowing the camera to achieve optimum white balance for the scene.
Refers to the very short amount of time it usually takes for a flash to fire. Automatic flash control varies the brightness by varying the duration of the flash. This feature allows you to add exposure compensation to the amount of flash output that a built-in pop-up Speedlight or accessory Speedlight can output.
When a Nikon digital camera with a built-in flash is set to OFF, the flash will not fire, even if the lighting is poor, or the subject backlit. The distance over which a flash can effectively provide light. The speed at which a flash synchronizes with the opening of the shutter.
A function of the Nikon Creative Lighting System, Flash Value FV lock maintains the same flash exposure for your main subject when you're shooting a sequence of photos. This allows you to zoom in on your subject, change the composition or adjust the aperture, all without altering the intended exposure.
Once FV Lock is set on your Nikon Speedlight, the flash value remains at the locked in setting until the FV Lock is pressed a second time, the camera's light meter times out or the camera is turned off. Flash is a white balance setting.
When manually setting the white balance on your digital camera, and taking pictures using flash lighting, you use the flash setting to color balance the available light and flash so it is captured correctly by the camera. A term often used to indicate an image that's too low in contrast; a "flat" image. Lighting source or method that produces a low contrast image or depicts a subject with little dimensionality.
A measure of edge-to-edge sharpness. Lack of flatness of field results in image degradation, or the inability to focus sharply on both the center and edges of the image together. When shooting in the movie mode, the Flicker Reduction option, offered on select Nikon cameras, allows you to compensate for the flicker that may be seen on the display or final movies when shooting under Florescent, Mercury Vapor or Sodium lamps; or if the camera is panned horizontally; or an object moves at high speed through the frame.
A type of photo reflector lamp that can illuminate a rather wide area. A flexible, thin, 3. Not widely used anymore as their storage capacity is limited. Flourescent is a white balance setting. When manually setting the white balance on your digital camera, and shooting under flourescenet lighting you use the flourescent setting to color color balance the light so it is captured correctly by the camera.
Fluorite FL , a lightweight mono-crystal optical material, has excellent optical properties while reducing overall lens weight to improve balance and handling, especially useful in longer focal length lenses. The F Mount is the designation given to the Nikon single lens reflex interchangeable lens mounting system.
Noted for its rugged construction and outstanding reliability, the F-Mount is distinctive also for its degree of compatibility with NIKKOR lenses and a design that can accommodate future system advances.
Nikon has maintained the basic structure of the mount for the 50 years of its use, and currently some different NIKKOR lenses are compatible with the system.
The numerical expression of the relative aperture of a lens. The distance from the principal point to the focal point. For a D-SLR that uses an imaging sensor smaller than full frame 35mm film frame , the ratio of the diagonal of the camera's imaging sensor in comparison to the diagonal of a 35mm frame is the crop factor. This ratio is commonly referred to as a focal length multiplier FLM , since multiplying a lens focal length by the crop factor or FLM gives the focal length of a lens that would yield the same field of view if used on the reference format.
The precise position plane within the camera body, behind the shutter curtain, at which the light gathering surface of the image sensor is fixed. In a film SLR, this is the same plane across which the film would be positioned for each exposure. The focal plane mark is a mark on the exterior of the camera body noting where the focal plane is located inside. A point on the optical axis where light rays converge to form a sharp image of an object.
An element between the mirror and pentaprism or pentamirror in a single-lens-reflex camera. The mirror reflects the image from the lens upward onto the screen. The areas of the image that are in focus are sharply defined on the screen, while the areas that are out of focus appear blurred. The photographer views the image passing through the screen in the viewfinder window. A method of operation for an autofocus system. Basic focus modes include single servo AF, continuous servo AF and manual focus.
An autofocus mode in which the shutter cannot be released until the subject is in focus. The range within which a lens can focus on a selected subject. Often used to indicate the capability of a macro or micro lens. Enables you to take in-focus pictures of moving subjects. Pertaining to Binoculars.
The instrument has been purged of virtually all moisture, air and gaseous water molecules while in a special chamber in an almost-perfect vacuum state. Then the instrument is filled with nitrogen gas and sealed securely with O-rings. It prevents fogging and mold. This scene mode automatically sets the Macro mode, allows for hue adjustments and user movement of the focus area. The area in a scene that is closer to the photographer than the main subject.
Preparing a memory card for use. It is recommended that before each shooting session, digital camera users format their memory card, in the camera, which completely wipes the data that had been on the card. It is recommended that this be done, instead of simply deleting all files. A feature of flash units and SLR cameras that enables flash pictures to be taken at shutter speeds higher than the camera's normally synchronized speeds. Frames per second. Refers to the rate at which film is exposed when a camera's motor drive is engaged; in digital photography, the rate at which image frames are exposed.
A single image; also, the scene viewed through the camera's finder. A photographic technique that is selectable when shooting in the Smart Photo Selector mode of the Nikon 1 system cameras.
Framing Priority is accessed via the F Feature button. It is ideal for use when photographing a stationary subject.
The focus locks when the shutter is pressed half way. Freezeproof cameras are designed to be used in frigid temperatures. A technique in which the flash fires an instant after the first front curtain of a focal plane shutter has completed its travel across the film plane. See also Rear-Curtain Sync.
Lighting that illuminates the subject from the position of the camera. Because illumination falls evenly on the subject, a front-lit subject may look flat and less dimensional. A metering method in which light is measured with the lens at maximum aperture. Multilayer Coating is applied to transmission surfaces of all lenses and prisms to enhance light transmittance. Provides a brighter and sharper field of view.
When set to AF-F, the camera will focus continuously as long as the shutter release button is pressed. The focus locks when the shutter button is pressed halfway. AF-F is one of the focus modes that are availalble on select cameras when in Live View.
Refers to Nikon cameras that feature a 35mm film-frame size sensor. The FX sensor, with more "light gathering" area, offers higher sensitivity and, generally, lower noise. There is, of course, no crop factor present with the FX sensor. Gamma is a mathematical term which is used to describes a skew in the middle tones of an image.
Gamma values do not affect the overall density range in other words the brightest and darkest points of the color space but will dramatically affect the overall appearance: A low gamma value will produce a saturated, somber image, whereas a higher value will result in a de-saturated, washed-out result.
All imaging devices such as monitors, digital cameras and scanners make use of some sort of gamma value as the conversion between digital and analog. The value of gamma can be specified for a color space so that the correct tonality can be reproduced. A color filter made of gelatin. Since gelatin can be dyed with a wide range of materials, filters can be made with a variety of colors for various effects.
Nikon does not make gel gelatin filters. Most Gel filters are made by Kodak under the "Wratten" brand name but other manufacturers also supply gel filters. These filters can be purchased from specialty camera stores and they usually come in 3" x 3" or 4" x 4" sheets. These sheets should be custom-cut by the user for the desired application. Many different types are available for color correction and neutral density effects.
Geotagging is the practice of recording and sharing GPS coordinates captured at the time that photos or videos are shot. Some photographers like to keep detailed records of exactly where they have traveled and photographed; while other photographers like to share the GPS coordinates with others so they too can visit these locations. A double image that results from using flash in relatively bright light at a low shutter speed. The two images, one from the ambient light and a second from the flash, do not perfectly coincide.
Graphics image format. This is a raster-oriented graphic file format that allows the exchange of image files across multiple platforms. A gigabyte gb is a unit of information equal to 1, megabytes or approximately 1,,, bytes.
It is available in select Nikon digital cameras. New copies of the photo are stored as separate files. One such enhancement is Big Eyes, which makes the eyes of a portrait subject look bigger than they are.
One such enhancement is powder, which makes your portrait subject's skin tone brighter. One such enhancement is Brighten Faces, which brightens the skin tone on a portrait subject's face. One such enhancement is eye shadow, which allows you to select one of four colors—purple, pink, brown and green—to enhance your portrait subject. One such enhancement is glare reduction, which reduces glare visible on a portrait subject's face. One such enhancement is Hide Eyebags, which hides the effect of dark bags under a portrait subject's eyes.
One such enhancement is lipstick, which allows you to select one of four colors—red, pink, beige and orange—to enhance your portrait subject. One such enhancement is mascara, which allows you to choose one of five selectable types—natural, volume, long, upper and bottom natural , and upper and bottom volume —to enhance your portrait subject. One such enhancement is Redden Cheeks, which adds color to the cheeks of a portrait subject.
One such enhancement is small face. One such enhancement is Whiten Eyes, which whitens the white part of the human eye in portrait photographs.
One such enhancement is Whiten Teeth, which makes the teeth whiter on a portrait subject. With distance-priority manual flash operation the guide number is automatically determined by the Speedlight according to the distance value and aperture set.
Global Positioning System, in which the receiver calculates its position on the earth by timing signals received from GPS satellites. A term particular to film, it refers to the appearance of grain the structure of a film's coating or emulsion in a print, transparency or negative.
A term used to describe an image that contains multiple shades of gray, as well as black and white. Often used in imaging programs as a synonym for black-and-white. With Group-area AF, the camera focuses using a group of five focus points the center one is not shown when the Group-area AF focus points are illuminated selected by the user. This reduces the risk of the camera focusing on the background instead of on the main subject.
Choose this mode for subjects that are difficult to photograph using a single focus point. If faces are detected in AF-S focus mode, the camera will give priority to portrait subjects; or when no faces are present, focuses on the closest subject to the camera. MPEG formats use three types of compressed frames, organized in a group of pictures, or GOP, to achieve interframe compression.
The information is used to help determine ambient and flash exposure. A G-type lens will have the abbreviation G labeled on the lens barrel. Guide Mode provides instant in-camera guidance that shows you step-by-step how to change camera settings to achieve the picture you want. To use you select a Guide Mode setting that matches the scene you are shooting, and let it assist you, so you learn while obtaining the desired results. Indicates the power of a flash in relation to ISO film speed.
It is a form of accent lighting. A phenomenon that arises when light scattered within the film emulsion continues through the film base and is reflected. A reproduction of an image through a special screen. The screen is made up of a variety of different sized dots to simulate shades of gray in a photograph. An incandescent light bulb that contains a tungsten filament. Emits light with a higher color temperature than an incandescent bulb.
High-Definition Multimedia Interface is used to transmit uncompressed digital audio and video. HDR photography is a method of capturing multiple images combined to create one with the wide range of tones in a high contrast scene—a range that our eyes can discern, but digital sensors can't render in a single shot.
Your geo-tagged photo travelogue will give you bragging rights as you share the adventure with your friends. Creative control even in gloves A handy Action Control feature More creativity at your fingertips—even if your fingertips are enclosed in ski gloves!
The AW's handy Action Control feature makes it easy to adjust specific camera settings. Wrapped up in the action with no time to change settings? The AW automatically adjusts camera settings. And if you're looking to add creativity, select in-camera effects such as black and white, or selective color. There's even an underwater mode to keep images colorful and properly exposed.
For a full list of the technical specifications please refer to the product manual. Something went wrong. Please try again in a few minutes. This product has been archived Product Support Product Manual. Previous image Next image. Product variations. Tech Specs. Like A Ahearn, I too can't believe a flip-out screen has gone. I use mine on the D frequently even though its placement is different from subsequent Nikon models. I had to giggle at dpreview's 'amazement' at the use of an i button.
Am I missing something? My D has this. What's so WOW about it being on the D? I use it for nature, flower photography and shooting action such as Polo games. The lens focuses well for me in all situations. Highly recommend it. Can anyone recommend the best lens for the nikon D I am comparing the nikon to the canon EOS 70D What do you want to do?
I have a couple of lenses for my D, my cousin recommended a Sigma mm Macro lens which is great for every day shooting, no real need to swap it this one.
And I finally have a good little prime 50mm FX which is a bargain for the price, forget the 1. I also have the mm Nikon Macro FX 2.
I think with the top 2 you wont go far wrong for most of your photography but its down to what you enjoy taking photo's of. I have a Nikon D, looking for upgrading to either D or a D Let me know how is D :. I bought a Nikon D in the summer of I bought this camera and Nikkor lenses to take with me to Africa. On my very first safari the camera malfunctioned the focus was not working, manual or auto. And so I shipped it back to Nikon for repair. I got it back in December!
And was still having focus issues. So I called, I wrote to Nikon, I tried everything only to be told to send it back in again for repairs. I received it back again in July. I came back to the US for my sisters wedding with my camera.
They looked at it and told me it appeared the focus issue had been fixed, however, the mount for the lenses was too tight and could cause issues with glass and mirrors and so I should send my camera in AGAIN for repairs. I would seriously consider a different camera manufacturer, one with better customer service and support.
How does the D have anything to do with the lens focusing in manual mode? You sent the camera body back in again for focus issues in December? Now the mount is too tight? You should elaborate more on your trials and your timeline provided because your story being told has way too many holes for me to take seriously. I agree Nikon Customer Service is suspect but that's a common issue and widely known, talking to their reps is an experience but what you describe sounds suspect in rating the D and sounds like the lens I am new here and looking because I have had focusing issues with my Nikon D since day 1.
I thought it was me, as it was a big step up from my D40x. I read books, watched You-tube videos etc. I spoke to a friend who had the same issue and she purchased this a as a backup camera. She ended up returning hers for credit at Nikon. I am at a loss. I am sending my back today after speaking to the Nikon representative for repair.
At ISO my photos are very noisy. My D changes focus randomly. It also changes the settings randomly on how many focus points I want to use. I just keep reading positive reviews on the camera and think what is going on with mine?
My little D40x took such crisp photos. I hope the problem is fixed and I think you can't understand that this is happening unless it happens to you. Using live view while taking photos really slows the camera down with focusing, taking the picture, and displaying the picture after. The viewfinder has an exposure indicator within it. When you look through the viewfinder, it tells you if the shot will be according to the meter on whatever you happen to be exposing off of will be exposed properly or not.
A point and shoot is probably where you want to be looking. Basically what I'm saying is that I don't notice it ever, because I'm never in live view. I use liveview a lot with a D when using a mm manual focus lens and tripod. It's 'OK' takes some practice and zooming in and Ihave to use a Hoodman to view. The D is known to have a comparatively poor screen and the new D is upgraded to the same screen as the D I think and so should be far better. I find liveview invaluable for low ground shots of fungi and things especially with my flip out screen And I certainly can't get down there that easily these days.
I wouldn't use it for BIF though! I got a question. Im thinking about buying this camera for Landscape Photography and im having trouble choosing lenses. I just purchased this Camera d, been using the Nikon D for almost a year.
Sharp photos Great colors still. I also use a Sigma Lens on this camera All work Great. You can Also rent some glass to try out too! Have fun! Although in the normal to short telephoto range, you might get decent images, but you would not be getting full benefit of the high quality resolution capabilities of the D If your budget could afford it, adding the excellent Nikon mm VR I or II will blow your mind at the image quality available.
My wife has the D and was using the Nikon mm lens. She now has a Sigma mm ART lens I know it's full frame and the combination of that lens and the D is superb. Why would it not be compatible? My Nikkor 50mm f1. Lens choice is highly subjective period, all you will get is opinion regarding ones personal taste and as if that's fact to everyone Zooms are the worst at this; you may like 18mm and the guy 30mm and the next mm all 3 of you will have subjective opinions on that matter alone.
I suggest you search image results I want to hear some bs just ask anyone a question about the gear they are using and you'll get plenty.
The proof in the pudding is in the results the camera delivers not from the mouth of the user. The is a good all purpose lens. If you are really limiting to Landscape I would suggest either the Sigma or the Tokina both are 2.
I bought a VR in with D Allot of the photos were on a tripod, MUP with a remote trigger so they should have come out very sharp but were no where close to being crisp. Lenses that try to do everything do nothing well. Of coarse it depends on what your idea of image quality is. My experience with the mmVr matches what the reviews say.
There are allot of used mmVR lenses out there for sale fairly cheap which tells you something. I don't own one but from what I've seen the mmVR gives allot better sharper photos at the cost of less reach. My normal camera is a D which I shoot very quick powersports with, I decided to upgrage, bought the D Used same settings as my and almost all photos were out of focus!
I'm hearing the may have a focus problem, so here's my question Is this good for fast sports? I'm talking auto racing, jet ski races, boat races, motorcycles? Even when I took photos of my dogs, they weren't as crisp and clear as I think they should be. I'm a little lost and could use all the input I could get. I refuse to go to a Canon so i'm hoping I can get an upgrade for Nikon.
I've gotten great results with my D shooting motorcycle and auto races. In Fine jpg only, you can fire away in bursts with no problem. I'll be shooting an Indy car test session tomorrow with it, and I'll post again when I see the results.
So far, the D is doing an outstanding job. I've seen very few negative reviews on the camera, and lots of very positive reviews, many calling it the best DX camera, ever. I know this review has been out there for some time now but I don't see any evidence of "banding" in the samples provided above when increasing the exposure or increasing the brightness in LR.
That really puzzles me, because I can create the "banding" issue in almost every one of my D images when increasing the exposure or increasing the brightness. And like others, it's now really bugging me to the point where I feel the D is a faulty piece of equipment My D produces no such issues when the exposure or brightness is increased.
I read where the sample images of the D at The Imaging Resource do not display banding either. So here's the question I'm confused. In this review, "6 fps burst rate 7 fps in 1. The K-3 review says "Good buffer depth and continuous shooting rate" for a pro. It's over 8 fps. There are other disparities of this type as well.
With Canon not admitting that the 70d has Auto focus problems I started to look at the D and found that after a while it gets oil and spots problems on the sensor?
Apparently when I starts it keeps on coming back? I really just want a good and reliable camera. Got fingers crossed Fluffy junk that I'd rather not have if it means they can pack more high end features to take better pictures. The 70D has all those "cool features" and has worse low light performance, isn't as crisp, and has lower Dynamic range So your "perfect for the class" list should be on the Canon 70D review saying. I had focus problems on my D for 2 years.
Sometimes perfect, often not, The auto focus fine tune adjustments would disappear whenever the camera shut down. It was finally replaced a month ago under warranty with a D What a difference. The sharpness is already well covered here so I'll comment on dynamic range. I shot an event recently and didn't compensate for back-light on some quick shots of the participants. Those color photos looked like silhouettes When I processed them in LR5 though, they actually turned out fine.
Even though shot at ISO the images had enough range and contained enough data to generate good skin tone and eyes and even fine peach fuzz on arms and cheeks turned out. I could not have saved those from the D even in RAW, because it clipped too hard at both ends It would also have 'hunted' focus in that situation.
So to me the D is excellent and shows what 2 years of technological improvements can do. I owned a D and 2 shutter blades broke off while i was shooting my 6 year olds basketball game.
So it's time for a new camera. Will a D be a significant upgrade? I was thinking about getting a D or a used Nikon D3 for speed. I primarly shoot indoor basketball but now my 4 year old daughter is starting soccer so i'll be shooting some out door sports as well. Can anyone help with suggestions? They do this on purpose so as to make you buy the next model over and over again. I know how you feel, Bob. I was midway through a photoshoot when Nikon officially discontinued the D My camera instantly went from a working photographic device to a completely useless lump of plastic, mag-alloy, and silicon.
I had to tell the model to go home because I had to upgrade to a new camera. You mean this battery I found on their website? BobFoster - My niece has a D80 and she is still very happy using it.
Incidentally, I am still using my D90 which has the same battery as the D Be careful buying not genuine Nikon Batteries. Some will not work because of the lack of coding chip. Whyamihere - I am surprise! Why would your D ceased to function the moment Nikon announced the D? Did you dropped the camera on the floor? I have two friends who make their living as a photographer. While they now mostly use D, they also still use their D And yes, stay with original batteries as long as you can.
Non-original batteries can give you headache. I know my non-original EN-EL5e batteries do! Red - I guess I am too gullible in taking those clowns seriously. Those batteries are performing flawlessly. Hi, just under a month ago I purchased a Nikon D and doing some tests yesterday I realized that long exposures of between 45 and seconds, a lot of points in green and white, red, blue me appear. At first I thought it might be chromatic noise but not that they appear in both long and short exposure as a sensor having so little time.
My question is whether a sensor problem that can be solved with a firmware update or something, or is it a problem of my camera's sensor. This review is absolutely wonderful! There is so much detail! I really appreciate all of the different photos you provided. Sorry for so many questions Do i have to go into menu every time i use lens? Once set, does it store? Does it need to be reset in menu every time camera turned on? I could not buy this camera if i have to go into menus every single time i use camera.
Beings that I have limited eyesight, is it possible to magnify image on LCD so i acurately focus I still will need 10XXloupe to view? Almost forgot, does D have true Live view exposure preview? I prefer to see literal image preview before exposing, less using histogram In response to several post about dust on the d and about Nikon service: The auto focus stopped working completely on the after about 1, pictures.
I called Nikon and went through a series of question and answers to see if it was the camera or me that was broken. I sent the camera back at my expense and was immediately emailed upon receipt that it would be covered under the Nikon warranty. The camera was repaired and returned at their expense within a week and has been fine ever since. The camera is not advertised as being airtight as one post suggested. So Im on an expedition in the Himalayas with a student group and suddenly start seeing spots on otherwise pristine images.
Realize quickly that this is a dust on the sensor. Just 4 months old Camera. Got back home Pune and approach the 'Authorized Nikon Dealer'. His response 'We can't help, you just have to take it to the Authorized service center'. You pay a premium and buy from retail shops and for what?
This is Nikon, friends. The dud could not even recommend a good cleaning kit for this sensor but playing the same broken record 'we can't help you'. Nikon's retail network sucks. Any dud can open a shop these days.
And Nikon products have also started to suck big times. Have been a loyal Nikon guy for over 15 years. I guess it is time to finally think objectively and move on. Any DSLR will accrue dust after time, especially early on in it's life, and will require cleaning. Four months is about average. And anyway, the issue with the was with oil spots during manufacture. I've been using my Canon 7D for two years now and haven't needed to clean the sensor yet.
And no, there aren't dust spots in my images. Why the DSLR will accrue dust after time. But I haven't change the lens at all. I have my D80 for so many years, I don't have any dust problem at all without changing the lens. My D has started having many oil spots after two years, not happy with this!!!!!! I also have two Ds, 6 years old, and I never need to clean.
No dust, no oil spots. This D series must be designed incorrectly. Had a D which started producing oil spots after the first frames. Eventually it was replaced with a D, which started producing similar spots one month later. D produces quite less spots than D, and I have ever since tried to think this is not the same issue, but it is still annoying - I must clean the sensor each months, although I change lens very carefully.
This doesn't seem normal to me, especially after my local Nikon service have recently doubled exactly the price for sensor cleaning. I wonder how often the D and D owners clean their sensors compared to D?
If you are going to be making improvements on this product, please consider the following: aperture adjustment in live view, better preview of exposure compensation before the shot in live view, better frame coverage for the AF points maybe 51 instead of 39 , and better low light AF. There may be more, but that's my wish list. A previous posting claimed that the D will not allow me to use my manual focus Nikkors - something to do with the mirror box.
Is this totally, or partially true? What is he referring to? My D has allows 6 different lenses to be programed. I would prefer 8 or I can't find any mention of this feature at all in the above test. I have not been able to check this thoroughly but I think it is about 12 programmable lenses. I'm trying to decide between the D and the Canon 6d as my first full frame camera specifically for low light gig photography.
Any recommendations please? I'd probably start off with the lens question. Do you have Nikon or Canon lenses already? If not, just pick one, they are both great cameras. I like them both. One caveat, the D does exhibit moire in video under the right circumstances, but I do little video, so it is a non-issue to me. Just picked up the D got the and Loving it! Looked at the Canon 6d but liked the Nikon lens better! No Regrets! Not sure if you made the decision already. Please beware of the It still has the dust issue that the D had.
You are right the D still has the dust issue. I don't know why those dust come from. The Nikon service manage told me that the dust are come form the len itself but this is entirely no true after I check the lens, there is not hole that the dust will get into the camera.
I don't care what kind of camera you have, F22 will expose any dust or oil or whatever is on the sensor. One caveat - the out of the box mode is DX with a DX lens attached, but you can override that in the menu and have the camera remain in FX mode. You will see vignetting in the picture with a lot of DX lenses, but you can crop down if you want in post. I bought the D, after several years using the D Nikon is history for me. Now I'm happy again. I know a guy that had a bad right out of the box.
Sent it back and the next one sent had the same problem. Neither would auto focus. Mine also turned out to be a lemon and it is just so hard to get a resolution from Nikon these days. I still have to make a few rounds to their 'Authorized service centres'. I guess I am rightfully getting punished for being a blind, loyal Nikon user so far. Why is "dynamic range" so narrow?
Either your metrics are only relevant for jpegs or you're trying to say something If the former, most raw shooters get undeserved and at any rate, you shoot jpegs with all the possible tweaks to get the best out of the camera I guess. I mean, the DR here is only relevant for no-touch jpeg.
It is not relevant for raw or manipulated jpeg I have a question concerning the dynamic range. Is this what the graph shows or i can't read it right. I thought that a full frame camera will have better dynamic range than APS-C. It's Sony sensor exceeds film DR.
I used to shoot a lot of HDR only for the dynamic range, but since getting this camera, that workflow has been abandoned as as a waste of time. That said, I tend to not shoot my D beyond unless I have to, but it's nice to be able to when needed. You have probably compared the jpeg Compare them above at iso in RAW, and place the cursor on the balsamic bottle bottom center : the Nikon is far better! DXO will give you the same results : iso for the 6D, iso for the D Hello guys, my name is Zaheer and I want a good dslr which has a good and sharp image quality, so I decided for a d, but stil confused between d and d so plz help me, which Camera should I buy, for a good still and great photos???
My preceding kit was a D with the and , now I have the D with and 50mm 1. I could count at least 15 spots and maybe even more. After more than pictures, spotless, so far so good, very happy with the increase in dynamic range and high ISO compared to crop DSLR's.
PLUS: Spotless performance thus far.. CONS: Nikon come clean. Well, a deliberately missed opportunity The D at base iso will have greater resolution and acutance than a D, so this move backwards , this photographically, optically , morally and visually retrograde step makes no sense. What is needed simply is less. No AA filter. No uncontrollable auto AF, but a return sighs of relief! No, they have even dropped that on the D For those who know not, the lack of AA filter makes all the difference-things look like a photograph again.
Its why Leitz and Sigma and Hasselblad don't have them, and you can see all the detail that the AA filter filtered out. And then you have a great machine with not much noise. THe noise kills that resolution- the ISO shots here are mushy,not all the fault of the dreaded G.
One deliberate strategy of Nikon is to stop the cheap camera from being as good as the top line ones. This has been difficult given the improvement of technology. They used to use less effective AF systems but now that the huge amount of pixel really demands some good AF, they will have to make it annoying instead!
If you are into conspiracy theories, this is s big one of self sabotage! Which is a bit funny in a way.. All 35mm film cameras, mounted with the same lens, would produce identical results with same exposure settings. Back then, it was about features and build quality, not about differentiated image quality.
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They can be found by selecting Effects on the cameras mode dial, and scrolling through the various effects via the command dial. The illumination produced from a gas-discharge lamp or tube is called fluorescent light. Electricity to the lamp stimulates the mercury vapor within the lamp creating the emission of electromagnetic radiation which produces the fluorescence. This type of lighting is typically found in office buildings, warehouses and industrial settings.
In terms of color temperature, fluorescent light generally falls between and degrees Kelvin. Incandescent light refers to the illumination produced from typical household light bulbs tungsten bulbs incorporating a heated tungsten wire filament. In terms of color temperature, incandescent light generally falls between and degrees Kelvin. The maximum diameter of the lens opening is referred to as its maximum aperture or minimum f-number.
The minimum f-number is the smallest f-number that can be selected with the lens. The maximum aperture varies from lens to lens and is included in the lens model name.
Analog to Digital conversion is usually the first stage in the process of converting an analog signal coming from the image sensor via multiple channels into digital data for the image processing and storage of image data.
The higher the bit rate of this conversion, the higher the image quality. Nikon D-SLRs typically offer a 16 bit image processing pipeline, which converts images of 12 bit or 14 bit depth quickly and efficiently. Select Nikon DSLRs such as the D5 and D feature a system of focus points, which broadly cover the image area at a high density for more accurate acquisition of subjects; 55 of which are selectable focus points.
This is a secure and very fast encryption type for both software and computers. Matrix metering evaluates multiple segments of a scene to determine the best exposure by essentially splitting the scene into sections, evaluating either segments or 1, segments, depending on the Nikon D-SLR in use.
The meter then accesses a database of over 30, actual images to determine the best exposure for the scene. Once the camera receives the scene data, its powerful microcomputer and the database work together to provide the finest automatic exposure control available. An invaluable feature for sports, action and wildlife photography, 3D focus tracking, available in select Nikon D-SLRs, automatically shifts the focus point to follow the movement of the subject.
With the shutter release pressed halfway, you'll see in the viewfinder the lens continuously maintain focus as the subject moves. However, maintaining focus doesn't guarantee a sharp image, as there is a short time lag between the release of the shutter and the capture of the picture. To solve this problem, the focus tracking system is a predictive system that uses special algorithms to forecast the position of the subject at the moment the image is captured.
The prediction is based on a measurement of the subject's movement and speed. Simple predictive tracking is very effective for pictures of a subject moving at constant speed toward the camera, but to provide maximum focusing performance for a subject that abruptly changes direction at high speed, or a subject with low contrast, moving randomly, the AF system must accumulate subject location data using multiple focus areas.
The AF modules built into selected Nikon D-SLRs have as many as 51 focus areas that can detect vertical, horizontal and diagonal movement of the subject. To realize high-precision AF for high-speed continuous shooting of a fast-moving subject, the processing speed of the AF cycle is vital. To provide that speed, a Nikon proprietary technology called overlap servo prepares for the focus detection of the next shot while the lens-driving operation for the current shot is in process. An automatic, balanced fill-flash system in which the flash fires a series of pre-flashes just before the first shutter curtain moves.
Only 3D images can be viewed in the 3D Playback Mode. As long as the shutter button is kept pressed halfway, if the subject moves after the camera has focused, the camera uses 3D-tracking to select a new focus point and keep the focus locked on the original subject. If the subject leaves the viewfinder, remove your finger from the shutter release button and recompose the photograph with the subject in the selected focus point. The standard is so named because it refers to its approx.
This is contrary to the standard HD resolutions of p and p which represent the number of vertical pixels. A movie option that is available in select cameras such as the Nikon 1 V3. Record a 4-second movie clip.
Multiple clips can be joined into a single movie using the Combine 4-second movies option in the playback menu. Available in selected Nikon D-SLRs, the point AF system positions 51 points of focus within the frame to allow photographers to choose a variety of focus configurations to suit the shooting situation. The area grid forms a wide rectangle across the frame, with minimal spacing between each AF area.
The system keeps even quick-moving subjects in focus across a wide extent of the frame. The 15 points of the three center rows of focus points employ cross-type sensors for powerful focus detection. Face detection using the optical viewfinder and detailed scene analysis using the 91, pixel RGB 3D Matrix Metering III sensor with the advanced scene recognition system enables superior auto exposure, auto white balance detection, AF performance and i-TTL flash exposure.
The flash uses its sensor to control the flash output in combination with data automatically transmitted from the camera and lens to the flash including the ISO sensitivity, aperture, focal length and exposure compensation value. AAC is a standard audio file format. Nikon cameras record audio to the AAC monaural file format. An aberration prevents light from being brought into sharp focus.
The ideal image by lenses especially photographic lenses , must fulfill three key conditions, namely, 1. In reality, however, light refraction by the lens causes a variety of defects in the image, called aberration. The five most common types in aberration are SEIDEL's five aberrations, which occur even with monochromatic single-wavelength light. In addition, there are also two types of chromatic aberrations, which are caused by more than one frequency.
It is impossible to eliminate them all, but in the lens design process, they can be controlled and balanced to provide the best possible result for that lens and application. This is handled by material glass selection, shape and positioning. When the action control is set to ON, you can control certain functions of the camera simply by swinging it in the air. The default setting is HIGH, which means that even if the camera is shaken by a small amount, it will register.
When set to LOW, a large amount of movement is needed to register by the camera. Active D-Lighting optimizes high contrast images to restore the shadow and highlight details that are often lost when strong lighting increases the contrast between bright and dark areas of an image.
It can be set to operate automatically or manually, and it's also possible to bracket pictures to get one with Active D-Lighting and one without. Active D-Lighting's image optimization, which takes place in the camera at the moment the photo is taken, applies digital processing only to the necessary portion s of the image.
Even when shooting a subject with a wide dynamic range, Active D-Lighting is able to reproduce a realistic image that retains natural contrast.
Add a Bubble Effect is a special effect found in select Nikon COOLPIX cameras such as the S32, it allows you to add a bubble effect to your images, so your subject will look as if it is projected on a bubble. A guide will be displayed in the monitor, and you simply compose your shot so the subject is within the guide. When chosen, the camera performs tone compensation to make the image appear like a cartoon.
The KeyMission action camera incorporates an Add Highlight Tag feature, which allows you to tag certain sections of your video by pressing the function button on the remote control during movie playback. You can then select Create movie digest, in which the camera automatically combines the tag-attached sections 2. This is a feature of select cameras such as the KeyMission action camera, which allow you to add slow motion to a portion of your video capture, as its being recorded.
The slow motion mode captures footage as a high-frame-rate movie. Choosing it will cause star-like rays of light to radiate outward from bright objects such as sunlight reflections or street lights. This effect is suitable for night scenes. Bracketing automatically varies a given set of variables dependent upon which type of bracketing is chosen.
Use bracketing in situations where it may be difficult to set exposure or to experiment with different settings for the same subject. AE Bracketing will bracket the exposure over a series of three photographs. The first shot is unmodified, the second shot has a reduced exposure and the third shot has the exposure increased. This is the preferred standard that is used to encrypt commercial and government data. With good light control and a static subject, Single Point AF ensures that the most important element in the composition, such as the eyes in a portrait, will be sharply focused.
Select a Single AF point and the areas surrounding it serve as backup—a significant advantage when shooting moving subjects. Select the 9-point option when you want to focus on erratically moving subjects with greater accuracy. When dealing with insufficient contrast for fast focus detection, choosing 21 or 51 points makes detection easier. The point option also allows for 3D Focus Tracking, which uses color information from the RGB metering sensor to automatically follow moving subjects across the AF points.
Auto Area AF uses color information and special face recognition algorithms to automatically focus on an individual's face, which is extremely helpful when there's simply no time to select a focus point, or when using Live View in hand-held mode at high or low angles.
A beam of light automatically activated to provide the camera's autofocus system the necessary light to operate in poorly lit situations. The AF assist illuminator's light does not appear in the picture. Autofocus lock is typically used to hold focus on the part of the scene that's most important to you. Focusing is driven by a "Silent Wave" motor in the lens instead of the focus drive motor in the camera. AF-S lenses with a "II" designation weigh less and are generally smaller than their equivalent predecessors.
Essentially, motor-driven autofocus; engage it and a digital SLR's autofocus system will continuously track focus on a moving subject. GPS file is an updated file of GPS data that can be downloaded from the web and uploaded into select Nikon digital cameras to shorten the time needed by the camera to track the GPS positioning information. The website housing the A. Once you download the file to your computer, follow the instructions in your camera's manual.
Non-AI lenses coupled to the camera's meter through a system that required a pin on the camera to be mated to a slotted prong on the lens before the lens was mounted, then the aperture ring on the lens had to be turned from one extreme to the other to index the meter to the maximum aperture of the lens.
AI eliminates this entire procedure because meter coupling and indexing occur automatically when the lens is mounted on the camera. Most AI lenses made until a few years ago were also supplied with the coupling prong so they would be compatible with either metering system. Airplane Mode disables all wireless or GPS connections on a camera. The diaphragm action in an AI-S lens is compatible with Nikon cameras that allow the aperture to be controlled from the camera, as is required for programmed and shutter-priority automatic exposure control.
A type of digital image distortion most often seen when straight lines or edges in a digital image are enlarged to the point at which they appear jagged. This mode also enables an easy transition from autofocus to manual during AF operation. However, mode switch sensitivity has been altered to reduce the possibility of sudden unintentional switching to manual focus while shooting. A-M stands for Auto-Manual Mode. Thanks to a mechanism incorporated in the lens barrel, smooth focusing operation in Manual focus mode is realized in the same way as users have become accustomed to with conventional manual-focus lenses by adding an appropriate torque to the focus ring.
The measurement in degrees of the angle formed by lines projecting from the center of the flash to the extremities of the field of coverage. The angle of light hitting a surface.
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